Installation Projects
For me, installation art is not merely a form of expression, but a way of exploring and understanding the world.
It begins with the hand and the body—through making, I learn about material, scale, and time. Every act of crafting becomes a conversation between the human and the nonhuman, between intention and resistance.
In this process, I find myself constantly re-negotiating the relationship between people and nature. Materials are not passive matter; they have their own rhythms, memories, and agency. By working with them, I enter an ecology of perception where creation becomes a form of listening.
Installation, to me, is both an inquiry and a meditation:
a way to sense the world through touch, to think through doing,and to reimagine our place within the fragile continuum of nature and technology.
Installation Projects
For me, installation art is not merely a form of expression, but a way of exploring and understanding the world.
It begins with the hand and the body—through making, I learn about material, scale, and time. Every act of crafting becomes a conversation between the human and the nonhuman, between intention and resistance.
In this process, I find myself constantly re-negotiating the relationship between people and nature. Materials are not passive matter; they have their own rhythms, memories, and agency. By working with them, I enter an ecology of perception where creation becomes a form of listening.
Installation, to me, is both an inquiry and a meditation:
a way to sense the world through touch, to think through doing,and to reimagine our place within the fragile continuum of nature and technology.