Photography Work
Photography, to me, is both a mirror and a window.
Through the lens, I observe the world — the light, the distance, the silence between things — yet what I truly confront is myself. Each frame becomes a record of perception, not of objects, but of how I feel when seeing them.
In the act of observing, I realize that seeing is never passive. As Merleau-Ponty wrote, perception is the intertwining of body and world. My photographs, therefore, are not attempts to capture reality, but to trace the invisible boundary between what I see and what I sense.
Photography allows me to slow down time, to witness how emotions dwell in ordinary moments. It is a way to understand my own existence through light — to look outward, in order to look inward.
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Photography Work
Photography, to me, is both a mirror and a window.
Through the lens, I observe the world — the light, the distance, the silence between things — yet what I truly confront is myself. Each frame becomes a record of perception, not of objects, but of how I feel when seeing them.
In the act of observing, I realize that seeing is never passive. As Merleau-Ponty wrote, perception is the intertwining of body and world. My photographs, therefore, are not attempts to capture reality, but to trace the invisible boundary between what I see and what I sense.
Photography allows me to slow down time, to witness how emotions dwell in ordinary moments. It is a way to understand my own existence through light — to look outward, in order to look inward.